Nonfiction
2022
“Excavating My Voice after PhD Exams” | Cincinnati Review (blog)
“The Writer as Editor: How Editing and Technology Shapes the Submission Process” | Cincinnati Review (blog)
2020
“Tiger Stripes” | Mixed Mag
“Prison Yard” | JMWW
“Lipstick Bottoms” | X-R-A-Y Literary Magazine
“Forever 21” | Jellyfish Review
“Spot the Differences” | Empty Mirror
“Back-to-Back” | Another Chicago Magazine
Fiction
2021
“Feed the Fire,” “New Baptism,” and “Fuss” | Pipe Wrench Magazine
“Front Porch” | Barren Magazine
2020
“I Love You” | Stone of Madness Press
“Fracture” | Plum Recruit Lit Mag
“Sweet Thing” | Rejection Letters
Criticism
2024
The Collective, Futuristic ‘We’ in ‘Dead in Long Beach, California’ | Alta Online
2023
Review of Crooked Smiling Light by Alan King | Cincinnati Review (blog)
Review of Each One a Furnace by Tolu Oloruntoba | Cincinnati Review (blog)
Review of Concentrate by Courtney Faye Taylor | Cincinnati Review (blog)
2022
The Poetics of Performance in Steven Leyva’s The Understudy’s Handbook | Poetry.onl
Language as Rugged Glass: A Review of Tajja Isen’s Some of My Best Friends: Essays on Lip Service | ANMLY LIT
Review of Spells of My Name by I.S. Jones | Pleiades
Review of Be Holding by Ross Gay | Birmingham Poetry Review | PRINT.
2021
Review of Anodyne by Khadijah Queen | Seneca Review | PRINT.